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Secondly, the fresh new <a href=""></a> narrator’s companion is profoundly affiliated with this new river: “Derriere la porte l’homme los cuales raime se tient

Instantaneously after that, this new narrator arrives upon various other photographs, one that’s currently familiar towards reader because has actually been lead, brand new images that the girl mate took of bridge across the Adour

(14.) Pick Los angeles Chambre claire: “Toute photo est united nations certificat de- exposure. Ce certificat est ce gene nouveau los cuales boy innovation a introduit dans la famille de l’ensemble des photographs” (135).

One proportion marks Villa Chagrin indelibly, together with point where they hinges is the river itself. Because perspective, this is the lake and this claims the rest of Cosnay’s surroundings, invented both literally and you may figuratively. Because the narrator says to the storyline out-of Bram van Velde, including, brand new situations and you will stories she brings take the place in a good chronology your river certifies, as a consequence of metaphor. More over, into the thinking about the new river, the newest narrator will get sure out of a larger existential session, one which could have searched noticeable right away, but whoever the fact is therefore trivially obvious it requires verification within a much deeper height: “Los angeles compete passe effectivement” (62). The fresh lake sees each of the narrator’s body language, and you can functions as a mute experience in order to this lady things and her view. They observes her both since she serves and also as she refuses to do something: “Je viens au money de l’ensemble des boulevards Alsace-Lorraine ainsi que Jean-Jaures, non loin de- l’Adour ainsi que non loin de- chez moi. J’ai jete les photo prises par l’homme que j’aime, je myself suis allongee, victime de paludisme peut-etre, de- tremblements nouveaux, je me personally suis allongee dans ce soleil qui regardait l’Adour, j’y suis, c’est ce time. Jamais encore” (56).

In the modern lifetime of this lady narrative, Cosnay says to of her own inquiry toward you to laws as well as historical situations:

Despite the fact that the former couples evolves in the current, just like the second try confined towards the earlier in the day, Bram and you can Marthe have a good price way more narrative skin into the their bones than perform the narrator therefore the boy she enjoys

The fresh new chagrin one to Cosnay invokes within her examination of for the last is abundantly echoed in the current, and you will notably from inside the a statistic identified only once the “Pierre Meters.” The new narrator states him given that a pal, and you will relates to your because the a guy whoever stress turned-out, fundamentally, debilitating. The first occasion he’s mentioned about text message, Cosnay wagers to your understatement and you can benefit off expression so you can share the dimensions of his distress: “Le 27 aout 2003, Pierre Meters. s’est donne los angeles mort dans boy appartement de- la rue Saint-Maur. Apres united nations sejour dentro de hopital psychiatrique, il tenta de choisir le carried out” (18). The fresh disaster are his, obviously; but it is maybe not their alone. For this affects this new narrator also. She imagines you to definitely she observes him, annually . 5 immediately following his dying, walking on much bank of your Adour (18). She remembers gazing on her buddy’s lifeless human body, a human anatomy quickly made “transparent” of the demise (50). She says one Pierre Meters. was a writer, hence during the night in advance of the guy the time suicide the guy had written about the really complications from writing (42). Pondering his dying, discover one or more situation your narrator sees most clearly actually: “J’ai vu, real, ma mort” (18). Basically, the fresh new narrator discovers by herself reflected inside Pierre Yards., and his awesome distress is actually certain feel a mirror from the lady very own.

During the highlighting up on so it reputation and his awesome character about novel, about three factors are entitled to as detailed. First, Cosnay invites the woman viewer to compare the happy couple the narrator and therefore boy mode to the couples created because of the Bram van Velde and you can Marthe Arnaud-Kuntz. It’s a matter of focus definitely, as well as the choices attendant abreast of diegetic prominencing; but it is and additionally sure upwards about difficulty that narrator experience inside watching herself and her problem, a problem one to will get most conspicuous on mirror moments. Je n’ai rien dit de- lui, au moment ou le n’est jamais qu’il fait le concert tour de l’ensemble des villes suivant ce ruban de l’eau parmi les rues etroites ainsi que bien contournant les enormes epingles de l’ensemble des vastes counters bleues surmontees d’un pont inattendue, rouge, laid ou ancien, et celle-ci forme de l’ensemble des arcs sous quoi vont les peniches” (29). Always within the actions, never ever fixed, the person is as hard to grab given that Adour by itself. Yet just like you to lake the guy takes up a blessed, central place, in the fresh new narrator’s real life and in one she imagines. Finally, which son serves this new narrator as a question of reference, enabling the woman to place her very own subjectivity into the sample: “Los cuales lui (l’aime, l’autre) reste objet ainsi que bien los cuales je le sois: meme tentation d’incertitude, flottement d’identite” (61). One hobby accounts for a lot of what happens in this guide, as well as the narrator’s problems is patently one of the contacts owing to hence Marie Cosnay attracts us to mirror through to chagrin therefore the certain molds they adopts.

Cosnay underscores repeatedly the challenge of one’s relationships regarding the picture plus the keyword, and that disease subtends a lot of exactly what Property Chagrin needs to say from the ways and its own spends. “Je vais venir, j’y viens,” she assurances us, “A great mon thi?me, au part d’incidence” (51), and you may seriously one of the things that title designates was a great webpages where in fact the spoken and the artwork meet and you can meld, while the perform some currents inside a lake. It is a website you to definitely remains right above the panorama, constantly deferred rather than quite hit. Toward passage out of visualize so you can phrase–or out of word in order to picture, for that matter–can never be performed when you look at the a totally high enough style, centered on Cosnay, are in general you will.

The parable you to definitely Cosnay sketches here has a lot to express regarding the techniques one she deploys in her unique, of these process was significantly sure right up on notion of the brand new gaze. On section of House Chagrin named “Photo dos,” Cosnay also offers another parable created up on the brand new photographic image, explicitly and overtly casting it this time on the framework off a story, once the narrative. “Il y avait cette histoire de- l’autre visualize,” states the brand new narrator, “ainsi que de quelque photo you can, vue level l’autre, une fois, superbement. [. ] La photos parfaite d’une femme specific, belle, blanche, reconnaissable, de sexe et de- cheveux prouvait qu’enfin quelque chosen avait ete visible” (48). You to definitely image was an effective foundational one for Property Chagrin insofar due to the fact they catches the main website of one’s novel’s topography. It is simple sufficient, since photos go, however it is subtended–slightly literally in this case–because of the most other pictures which might be a lot more unsettling:

(thirteen.) Pick such as for example “Le 15 novembre je suis malade, avec des reves apeures de- breakup puis de- victoire finale et celle-ci, durante fin de path, rendent bravery. Los angeles concern appropriate concerne los angeles in addition to bonne qualite, la and bonne certitude de l’ensemble des instances que l’on ne voit jamais” (9); “Ce suc du corps n’est together with, dirait Ovide. Il soit l’image a tirer de cela, les lignes good voir derriere ce qu’on ne voit jamais” (38); and “En ce qui concerne chacune des lettres de- dessine ce qu’on ne voit pas” (73).

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